Keijaun Thomas creates live performance and multimedia installations that oscillate between movement and materials that function as tools, objects and structures as well as a visual language that can be read, observed and repeated within spatial, temporal and sensorial environments. Her work investigates the histories, symbols and images that construct notions of Black identity within black personhood. Thomas examines, deconstructs and reconstructs notions of visibility, hyper-visibility, passing, trespassing, eroticized and marginalized representations of the black body in relation to disposable labor, domestic service and notions of thingness amongst materials as a way to address blackness outside of a codependent binary structure of existence. Thomas earned their Masters degree from the School of the Art Institute of Chicago. Thomas has shown work both nationally and Internationally in Los Angles, CA, Portland, OR, Chicago, IL, Boston, MA, New York, NY and Taiwan, Taipei, Paris, France and the United Kingdom.